Showing posts with label metaphor. Show all posts
Showing posts with label metaphor. Show all posts

Friday, August 14, 2015

The Hanging Gardens of Babylon

The Greek historian Herodotus (484-425 BCE), the Alexandrian scholar Callimachus (ca. 305-240 BCE) and other classical writers list the Seven Wonders of the Ancient World, the great accomplishments and tourist attractions of known civilization at the time. All are within a 1000 x 1300 square-mile-area in the Eastern Mediterranean.
  • The Great Pyramid of Giza
  • The Hanging Gardens of Babylon
  • The Statue of Zeus at Olympia
  • The Temple of Artemis at Ephesus
  • The Mausoleum at Halicarnassus
  • The Colossus of Rhodes
  • The Lighthouse of Alexandria
Although the pyramid of Giza is the only wonder still in existence today, we know the locations of all the wonders except the hanging gardens of Babylon. (I discuss the pyramid of Giza in two posts from August 2014.)

Dr. Stephanie Dalley, Research Fellow (retired) in Assyriology at the Oriental Institute at Oxford University, published the Mystery of the Hanging Garden of Babylon (Oxford: Oxford University Press) in 2013 and wrote and hosted the TV show for the series, Secrets of the Dead, "The Lost Gardens of Babylon," in 2014. She has uncovered evidence that would place the hanging gardens not in Babylon, present-day Hillah in central Iraq, but a little over three hundred miles to the north in war-ravaged Mosul.

Ever one for the figurative properties of language, I learned that her deduction is based in part on the metaphorical use of a word in the Assyrian cuneiform writings of Sennacherib, king of Assyria (705-681 BCE). The word refers to the distinctive spiral markings of the date palm to describe Sennacherib's feat of engineering, the so-called Archimedean screw.

Along with a sophisticated system of canals and aqueducts, the screw, turned by men or animals, raised an estimated 300 tons of water a day from the Euphrates to the hanging gardens, which, like the city walls, were about forty feet above river level.

Until now, we had thought that Archimedes of Syracuse (ca. 287-212 BCE) discovered the screw, which makes it possible to lift water, grain, and the like mechanically and in quantity from lower to higher ground. Now, thanks to Dr. Dalley, we are thinking that a king from 400 years earlier dreamed up this machine by musing on the spiral pattern on the date trees growing in his garden.

Thursday, November 1, 2012

Words Take Flite

Miss Flite is a secondary character in Dickens's great novel, Bleak House, first published in serial form between March 1852 and September 1853. Her first appearance is in Chapter 3, when, as Esther writes, "a curious little old woman in a squeezed bonnet, and carrying a reticule, came curtsying and smiling up to us, with an air of great ceremony." She wants to meet Ada and Richard, wards in the Chancery case Jarndyce and Jarndyce, as she once was, and their companion, Esther.

She has a bird-like quality about her, evident in her name, in her person (we get to see her in Phiz's wonderful etching), in the birds she keeps caged in her garret, and in her role as messenger of doom. Richard, despite the softening influence of Esther and Ada, becomes obsessed with the case and finally dies after it is settled--or rather just plain old terminated, because the entire estate has been "absorbed in costs."

Dickens never says, Miss Flite is like a bird (in which case, in every passage she appears in, she would provide an excellent example of a simile). This not dramatic enough for Dickens's purposes.  Instead, she is a wonderful example of metaphor.  Figuratively, she is a bird.


The Little Old Lady
Miss Flite with the wards of Jarndyce & Jarndyce.

The Little Old Lady, by Phiz (Hablot K. Browne), 1853.
Scanned image and text by George P. Landow.